PORTRAIT IN THE STORIES OF KHAYRIDDIN SULTANOV

Abstract
This article presents the spiritual world of the heroes in the stories of Hayriddin Sultan in a unique way through portraiture. Portraiture is one of the most important factors for the reader to understand the hero of the work. At the same time, theoretical views on portraiture are discussed.
Keywords
Story, image, portrait, static portrait, dynamic portrait, spiritual world.
References
- Salaev F., Kurbaniyozov G. Explanatory dictionary of literary terms. –
- Tashkent: Yangi asr avlod, 2010. –p. 185.
- Khairiddin Sultan. Three hundred and sixty-four days. –Tashkent: ,,O‗zbekistan‘‘, 2019. –p. 97. (Hereinafter, examples are taken from this source and the page is given in brackets after the excerpt.)
- Hegel. Aesthetics. Volume 1. –M: Iskustvo, 1969. p. 245.
- Bobokhonov M. The role of the portrait of the hero in the depiction of the mental state// ,,Uzbek
- language and literature‘‘. – 2010, issue 3. –p. 53.
- Khairiddin Sultan. Three hundred and sixty-four days. –Tashkent: ,,O‗zbekistan‘‘, 2019. 97-
- p. . (Hereinafter, examples are taken from this source and the page is given in brackets after the excerpt.)
Downloads
Download data is not yet available.