THE ART OF ORIENTAL MINIATURES IS A SCHOOL OF REFINED TASTE AND SKILL

Authors

Ergasheva Sevinch Yusup kizi 1st year master's student, Fine Arts, National Pedagogical University of Uzbekistan named after Nizami

Keywords:

Eastern art, miniature, Kamoliddin Behzod, color harmony, symbolic expression, aesthetic taste, national heritage.

Abstract

This article analyzes the origins, development stages, and artistic features of Eastern miniature art. Miniature painting is presented as a symbol of refined taste, patience, and aesthetic perfection in the culture of Eastern peoples. The article explores the harmony of colors, symbolic expression, and compositional principles in miniature works, as well as the creative legacy of great artists such as Kamoliddin Behzod. The research also highlights the educational and aesthetic significance of miniature art and the continuation of its traditions in the modern era.

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References

Behzod, K. (1998). Miniatyura san’ati va Sharq madaniyati. – Toshkent: “O‘zbekiston” nashriyoti.

Karimov, A. (2012). O‘zbek tasviriy san’ati tarixi. – Toshkent: Fan nashriyoti.

Qosimova, N. (2017). “Miniatyura san’atining estetik xususiyatlari”. // San’at va madaniyat jurnali, №4, 25–30-betlar.

Alibekov, Sh. (2020). Kamoliddin Behzod va uning badiiy merosi. – Toshkent: Yangi asr avlodi.

Norqobilov, M. (2019). “Miniatyura san’atining zamonaviy talqini”. // O‘zbekiston san’ati va dizayn, №2, 45–50-betlar.

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Published

2025-12-14

How to Cite

Ergasheva Sevinch Yusup kizi. (2025). THE ART OF ORIENTAL MINIATURES IS A SCHOOL OF REFINED TASTE AND SKILL. International Multidisciplinary Journal for Research & Development, 12(12), 496–498. Retrieved from https://www.ijmrd.in/index.php/imjrd/article/view/4318