TRACES OF HIDDEN TRUTHS: ARTISTIC AND VISUAL INTERPRETATION OF “THE TASHKENT FILES”
Abstract
This article examines the artistic and visual interpretation of the 2019 film The Tashkent Files, analyzing its cinematographic styles, elements of visual poetics, and the collaborative aesthetic impact of the director and cinematographer. Additionally, the study discusses the strategies employed to reveal hidden historical truths through the film and convey them effectively using visual means.
Keywords
The Tashkent Files, Vivek Agnihotri, Udaysingh Moxite, artistic interpretation, visual poetics, cinematography, historical drama, cinematographic poetics, hidden truth, visual analysis
References
- M.Madhava Prasad. Ideology of the Hindi Film a historical construction. – New Delhi.: First published 1998. - 253 p.
- R.Dwyer. Bollywood’s India: Hindi cinema as a guide to modern India. – London.: Reaktion books. 2014. - 296 p.
- V.Mishra. Bollywood Cinema: Temples of desire. – London.: Psychology press. - 320 p.
- P.Adams. Visionary Film: The American Avant-Garde, 1943-200. – New York.: Oxford university press, 2002. – 446 p.
- D.Bordwell. Narration in the Fiction Film. – New York.: The University of Wisconsin press, 1985. – 359 p.
- J.Lotman. Semiotics of Cinema. New York.: University of Michigan, 1981. – 106 p.
- L.Mulvey. Visual Pleasure and Narrative Cinema. – New York.: Oxford university press, 1975. – 816 p.
- Базен А. Что такое кино? – М.: Искусство, 1972. – 382 с.
- Эйзенштейн С. Изобранные произведения. В 6-и томах. – М.: Искусство, 1964 – 1971.
- Балаш Б Кино: Становление и сущность нового искусства. Пер.с нем. – М.:Прогресс, 1968. – 328 с.
Downloads
Download data is not yet available.