THE ABSURD IN 20TH-CENTURY LITERATURE

Abstract

The concept of the absurd occupies a central place in twentieth-century philosophical and literary thought. Emerging from existential philosophy and shaped by historical crises, absurdism reflects the conflict between humanity’s search for meaning and the silent, indifferent universe. This article explores the theoretical foundations of the absurd, its philosophical origins, and its artistic embodiment in literature. Special attention is given to prominent representatives of absurd literature, including Albert Camus, Samuel Beckett, Eugène Ionesco, and Franz Kafka. The study analyzes how absurdity manifests in themes, characters, narrative structures, and dramatic techniques.