THE ART OF CONDUCTING: THEORY AND PRACTICE OF WORKING WITH A CHOIR

Authors

  • Dildora Mirvakhidovna Maxmudova Teacher of “Conducting” at the Choral Conducting Department, R. Glier Republican Specialized Music School

Keywords:

choral conducting, musical leadership, vocal technique, ensemble culture, baton and gesture, repertoire selection, psychological-pedagogical approach

Abstract

This article analyzes the theoretical and methodological foundations of choral conducting, its formation, and contemporary development trends. The musical-pedagogical aspects of leading a choir, the conductor’s technical skills, hand movement system, stages of working with an ensemble, and principles of repertoire selection are scientifically examined. Practical methods used in educational processes, lesson scenarios, and solutions to problems encountered while working with a choir are illustrated with examples. The article serves as a methodological guide for specialized music schools, lyceums, and higher education institutions.

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References

Kudryashov, A. Choral Studies and the Choral Class. Moscow: Muzyka, 2018.

Yusupova, D. Foundations of Choral Conducting. Tashkent: San’at, 2020.

Apfelstadt, H. Directing the Choral Ensemble. New York: Oxford University Press, 2016.

Abdullaev, F. Vocal-Technical Issues in Choral Ensembles. Tashkent, 2019.

Smitley, R. Choral Pedagogy. Boston: Cengage Learning, 2014.

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Published

2025-12-10

How to Cite

Dildora Mirvakhidovna Maxmudova. (2025). THE ART OF CONDUCTING: THEORY AND PRACTICE OF WORKING WITH A CHOIR. International Multidisciplinary Journal for Research & Development, 12(12), 322–323. Retrieved from https://www.ijmrd.in/index.php/imjrd/article/view/4260