INTERTEXTUALITY IN DONNA TARTT'S NOVEL "THE SECRET HISTORY"

Authors

  • Amankosova Shakhnoza Mirzagalievna Nukus State Pedagogical Institute

Keywords:

Intertextuality, classical philology, D. Tartt, “The Secret History”, Greek mythology, Dionisius, hamartia.

Abstract

The article is devoted to the study of intertextuality in Donna Tartt's novel "The Secret History". The article examines the influence of Hellenistic culture on the work of the American writer Donna Tartt. In her works she actively uses the ancient code, introducing and deconstructing plots and elements of ancient Greek works. The perception of ancient culture is manifested through narration and intertextuality, which performs several functions in the novel: plot-forming, compositional and escapist.

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References

Aristotle. Poetics. / Per. M. L. Gasparova. — In the book: Aristotle and ancient literature. M., 1978

Nietzsche, F. We, philologists. Excerpts from an unwritten book [Electronic resource] / F. Nietzsche / Comp. and lane A. Rossius.

Nietzsche, F. The Birth of Tragedy from the Spirit of Music / F. Nietzsche / Trans. with him. G. Rachinsky. – M.: Publishing house “Mysl”, 1990.

Segal, C. 1986 "Greek Tragedy and Society: A Structuralist Perspective", pp.43-75 in Euben, J.P. Greek tragedy and political theory. California: California University Press.

Shakespeare W. The Tragedy of Macbeth / ©GlobalGrey 2018 – 142 p.

Tartt, D. The Secret History / N. Y.: Alfred Knopf, Inc., 1992. – 629 p.

Published

2024-05-22

How to Cite

Amankosova Shakhnoza Mirzagalievna. (2024). INTERTEXTUALITY IN DONNA TARTT’S NOVEL "THE SECRET HISTORY". International Multidisciplinary Journal for Research & Development, 11(05). Retrieved from https://www.ijmrd.in/index.php/imjrd/article/view/1458