THE FOLK TONE IN THE WORKS OF SAIDA ZUNNUNOVA
Abstract
This article explores the presence and significance of the folk tone in the literary works of Saida Zunnunova, a prominent Uzbek poet and writer. It examines how Zunnunova integrates traditional Uzbek folk motifs, language, and rhythmic patterns into her poetry and prose to create a distinctive literary voice. The study highlights the role of the folk tone in preserving cultural heritage and expressing universal human themes, bridging the gap between oral traditions and modern literary expression. Through this fusion, Zunnunova revitalizes Uzbek folk culture within contemporary literature.Keywords
Saida Zunnunova, folk tone, Uzbek literature, oral tradition, folk motifs, cultural heritage, poetry, prose.
References
- Zunnunova, S. (2008). Collected Poems. Tashkent: Uzbek Writers' Publishing House.
- Karimov, A. (2015). “The Role of Folk Culture in Modern Uzbek Literature.” Central Asian Literary Journal, 10(1), 34-47.
- Rakhimova, N. (2017). Uzbek Oral Traditions and Literary Forms. Samarkand: Heritage Press.
- Tursunov, M. (2019). “Folk Motifs in Contemporary Uzbek Poetry.” Journal of Uzbek Studies, 15(2), 55-70.
- Hasanov, D. (2012). Traditions and Innovations in Uzbek Literature. Tashkent: National University Press.
- Mirzaev, O. (2016). “The Integration of Oral and Written Traditions in Uzbek Poetry.” Literary Heritage Review, 8(3), 22-39.
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