REFLECTION OF FABLE THEMES IN THE DRAMATIC HERITAGE OF IVAN A. KRYLOV

Abstract

This article examines the thematic and stylistic continuity between Ivan A. Krylov’s dramatic works and his fables. While Krylov is celebrated as Russia’s greatest fabulist, his creative development began in the theatre, where he learned to shape character, dialogue, and social satire. The study argues that the moral, philosophical, and comic foundations of his fables were already established in his early comedies, such as The Pie, The Fashion Shop, and The Post of Spirits. By comparing both genres, the paper reveals how Krylov’s fables condensed the dramatic structure into concise allegories while preserving their social realism and ethical intent. The unity of his dramatic and fable writing reflects a single satirical worldview grounded in moral clarity, folk wisdom, and philosophical irony.